“The future ain’t what it used to be”
Sculptor Lisa Hoke uses found materials in her large, brightly colored wall and window works, creating joyous, swirling compositions from plastic cups, cereal boxes, six-pack holders, pinwheels, and other everyday objects. Working in her New York studio, Hoke selects materials from color-sorted bins of salvage and arranges items on the floor through an intuitive working process. Titled “The future ain’t what it used to be,” the installation was commissioned by the McNay to initiate a new series of wall works in the Stieren Center for Exhibition’s AT&T Lobby. The title is a nod to baseball player Yogi Berra’s paradoxical prediction, as well as to the installation’s ephemeral images of consumer excess.
Born in Virginia Beach, Virginia, in 1952, Hoke received a Bachelor of Arts from the University of North Carolina at Greensboro in 1974, followed by a Bachelor of Fine Arts from Virginia Commonwealth University in 1978. She has created temporal works for many exhibitions, including the Massachusetts Museum of Contemporary Art (Mass MoCA), North Adams; the Michele & Donald D’Amour Museum of Fine Arts, Springfield, Massachusetts; New Britain Museum of American Art, Connecticut; Rice University Art Gallery, Houston, Texas; and Serpentine Gallery, London, England. In 2013, Hoke premiers another new work at the North Carolina Museum of Art in Raleigh.
This installation was commissioned by the McNay Art Museum.